RÓISÍN HENMAN-KYLE

Designer, maker, natural-dyer,
multi-practioner, mender, researcher,
illustrator & curious person from
South West England. 


Natural dyes
Sewing

Design & illustration:
        Illustration
        Portobello Brewing
        Arvensis Films
        Hay Winter Weekend
        No. 57 Flowers
        Dorothy House Illustrations
        The Vavengers
        Clean Ocean Sailing
        Works Theatre
        Cultiva Cornwall
        The Show Windows
        When Light is Put Away
 
Personal work:
        Sketchbook
        Photography


About


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︎


Mark

Natural dyeing


Quilted vest reimagining old bedsheets by partially dyeing with natural indigo.
100% cotton fabric & wadding | Summer 2024



Madder

The pink or red madder dye is derived from the roots of the madder plant, rubia tinctorum, and has been used for at least 4,000 years, with cultivation in Central Asia since at least 1500 B.C. Its been found in wool in Norse burial grounds, linen in Tutankhamen’s tomb and a common colourant in Egyptian mummy portraits, Cypriot pottery and was even fed to animals to tint their hair and bones


Itajime Shibori dyeing

Shibori is an ancient Japanese technique for tie-dyeing fabric to produce different patterns. The name originates from 絞るshiboru = to wring, to squeeze, while shibori is the noun form. The earliest known example of Japanese Shibori dates to the 8th century and was initially introduced from China and was adapted to Japanese traditions and tastes. During the Edo era (17th-19th c) that Shibori became popular, when in response to Tokugawa Shogunate military government forbidding lower class citizens from wearing silk, civilians looked for ways to enhance cheaper cloth made from hemp and renew older, faded and damaged clothes. Indigo was the traditional dye. 

There are are many types of Shibori dyeing of varying complexities including Kumo Shibori, Nui, Miura and Arashi, etc. Itajime is a shape resist method where traditionally wooden are used to create geometric patterns.

For my practice I used some waste plastic instead of wood as it was avaliable and easy to cut. All the fabric used was second hand (cotton bedsheets and linen). I found the tightly folded and bound fabric made it a lot easier to for not introducing excess oxygen into the indigo dye vat, especially for multiple dips. 






Mark